ZAHIRIDDIN MUHAMMAD BOBUR G‘AZALLARIDAGI MUSIQA TERMINLARNING LINGVOPRAGMATIK TAHLILI

Авторы

  • Shohsida 1-kurs doktorant Alisher Navoiy nomidagi Toshkent davlat o‘zbek tili va adabiyoti universiteti E-mail: shohsidaeshbotayeva92@gmail.com ORCID: https://orcid.org/0000-0001-6533-7155

Ключевые слова:

artistic discourse, communicative purpose, speech act, musical thought, artistic thought

Аннотация

The study analyzed the role of musical terms in Zahiriddin Muhammad Babur's ghazals based on a linguopragmatic approach. As a result, it was found that the creator gradually revealed the mental state of the lover through musical terms, and indirectly expressed communicative intentions such as pain, supplication, and confession through indirect speech acts

Биография автора

Shohsida, 1-kurs doktorant Alisher Navoiy nomidagi Toshkent davlat o‘zbek tili va adabiyoti universiteti E-mail: shohsidaeshbotayeva92@gmail.com ORCID: https://orcid.org/0000-0001-6533-7155

1-kurs doktorant Alisher Navoiy nomidagi Toshkent davlat o‘zbek tili va adabiyoti universiteti E-mail: shohsidaeshbotayeva92@gmail.com ORCID: https://orcid.org/0000-0001-6533-7155

Загрузки

Опубликован

2026-03-30

Выпуск

Том 1 № 01 (2026): ZAHIRIDDIN MUHAMMAD BOBUR MEROSINING SHARQ DAVLATCHILIGI VA MADANIYATI RIVOJIDA TUTGAN O'RNI

Раздел

Maqolalar