“HAYRAT UL ABROR”DAGI TEONIMLARNING SEMANTIK VA BADIIY XUSUSIYATLARI

Abstract

This article analyzes the usage, meaning, and artistic characteristics of theonyms in Alisher Navoi's Hayrat ul-Abrar. It explores how divine names, regarded as noble and sacred, play a significant role in the text, particularly in the context of the Hayrat ul-Abrar. Special attention is given to the names of God, as certain anthroponyms in Uzbek are directly linked to these theonyms. The study examines how these divine names function within the narrative and their impact on the thematic and stylistic elements of the work