MAʼRIFATCHILIK DAVRIDA MILLIY-ESTETIK OMILLARNING OʻRNI (YUSUF SARYOMIY SHEʼRIYATI MISOLIDA)

Abstract

It examines how the national spirit, self-awareness, mystical traditions and enlightened ideas were united through aesthetic means of expression in colonial conditions. In Saryomiy's work, traditional poetic forms (ghazal, muvashshah, bayoz) are enriched with the ideas of national revival, demonstrating a national-aesthetic synthesis. The study is based on literary sources and poet's divans