BOBUR OBRAZI VA “BOBURNOMA”NING FRANSIYADAGI ILMIY RETSEPTSIYASI

Abstract

This article examines the scholarly reception of Zahiriddin Muhammad Babur and the Baburnama in France from the nineteenth century to the early twenty-first century. It focuses on how translation strategies and paratextual elements in the works of A. Pavet de Courteille, J.-L. BacquéGrammont, Gilles Veinstein, and Jean-Paul Roux have shaped the image of Babur. The study shows that in French academic discourse Babur is represented not only as a historical ruler but also as a writer-ruler and a cultural agent