ZAHIRIDDIN MUHAMMAD BOBUR G‘AZALLARIDAGI MUSIQA TERMINLARNING LINGVOPRAGMATIK TAHLILI

Authors

  • Shohsida Eshbo‘tayeva 1-kurs doktorant Alisher Navoiy nomidagi Toshkent davlat o‘zbek tili va adabiyoti universiteti E-mail: shohsidaeshbotayeva92@gmail.com ORCID: https://orcid.org/0000-0001-6533-7155

Keywords:

artistic discourse, communicative purpose, speech act, musical thought, artistic thought

Abstract

The study analyzed the role of musical terms in Zahiriddin Muhammad Babur's ghazals based on a linguopragmatic approach. As a result, it was found that the creator gradually revealed the mental state of the lover through musical terms, and indirectly expressed communicative intentions such as pain, supplication, and confession through indirect speech acts

Author Biography

Shohsida Eshbo‘tayeva , 1-kurs doktorant Alisher Navoiy nomidagi Toshkent davlat o‘zbek tili va adabiyoti universiteti E-mail: shohsidaeshbotayeva92@gmail.com ORCID: https://orcid.org/0000-0001-6533-7155

1-kurs doktorant Alisher Navoiy nomidagi Toshkent davlat o‘zbek tili va adabiyoti universiteti E-mail: shohsidaeshbotayeva92@gmail.com ORCID: https://orcid.org/0000-0001-6533-7155

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Published

2026-03-30

Issue

Vol. 1 No. 01 (2026): ZAHIRIDDIN MUHAMMAD BOBUR MEROSINING SHARQ DAVLATCHILIGI VA MADANIYATI RIVOJIDA TUTGAN O'RNI

Section

Maqolalar