Conferences

NASIMIY VA NAVOIY NAZMI – BADIIY TAFAKKURNING YANGI BAZMI

2026-07-10T11:28:19+05:00

Turkiy dunyo va uning madaniyati asrlar davomida shakllangan. Bu madaniyatning shakllanishida Nasimiy va Navoiylarning alohida o‘rni bor. E’tiborli tomoni shundaki, har ikki ijodkorning asarlari turkiy ma’naviyatga munosib hissa qo‘shishdan tashqari muayyan umumiyliklarga ham ega. Ushbu maqolada mana shu jihat haqida so‘z boradi

ALISHER NAVOIY “TARIXI ANBIYO VA HUKAMO” ASARINING SIYARNOMA TURKUMIDA TUTGAN О‘RNI

2026-07-10T12:29:29+05:00

This article scientifically substantiates the necessity of adopting the term siyarnoma in Eastern literary studies, rather than hagiography, which is commonly used in Western scholarship, for works dedicated to the lives and contributions of prophets, saints, and other eminent historical figures. The term siyar is derived from the Arabic siyrat, meaning “path,” “tradition,” “life’s journey,” “biography,” or “order.” The study establishes that literary compositions depicting the lives of prophets and saints in classical Oriental literature can be appropriately classified as siyarnoma.
Furthermore, it is demonstrated that Alisher Navoi’s The History of Prophets and Sages serves as an exemplary siyarnoma. The article also explores the scholarly hypothesis that this work may constitute a section of Navoi’s principal historical treatise, Zubdat ut-Tavorih (“The Cream of Stories”), thereby enriching existing academic perspectives on Navoi’s historiographical contributions.
The study reveals that Navoi categorizes prophets into two distinct groups: messengers and prophets, presenting their biographies in a dynastic sequence. The first section of the work chronicles the lives of more than fifty-three prophets and their descendants, beginning with Adam, while the second section is dedicated to renowned sages.
Additionally, the article identifies three key features distinguishing The History of Prophets and Sages from other siyarnomas. First, it comprehensively traces the lineage of prophets from Adam (PBUH) to Jirjis (PBUH). Second, instead of providing extensive narratives, it selectively highlights the most significant and defining aspects of their lives. Third, it notably omits events from the era of Muhammad (PBUH). This study, therefore, offers a refined understanding of the siyarnoma genre and its application in the context of Navoi’s literary and historical legacy.

“FARHOD VA SHIRIN” DOSTONIDAGI NA’T BOBLARNING MANBALARI VA BADIIYATI

2026-07-10T16:08:40+05:00

This article provides an ideological and artistic analysis of the first chapter of the epic Farhad and Shirin from Alisher Navoi’s Khamsa, a work that holds a significant place in his literary oeuvre. The analysis focuses on the sources of the themes presented in the verses, particularly the influence of the Holy Qur'an, Hadith Sharif, and Sufi teachings. The poetic lines of the epic are examined in prose form, with a detailed exploration of their literary and philosophical underpinnings. Additionally, the article evaluates Navoi's artistic mastery, highlighting his skillful integration of spiritual and literary elements within the epic

ÖZBEKISTAN'DA YAYIMLANMIŞ İKİ HAYRETÜ’L-EBRAR'IN TASHİH EDİLMİŞ METNİNDEKI HATALARIN SEBEPLERINE BIR BAKIŞ

2026-07-10T19:34:55+05:00

This article explores the extensive efforts dedicated to the emendation of Alisher Navai's works, particularly his Khamsa, within Uzbekistan. Given Navai's prominent cultural significance, much of the editorial work on his texts has been carried out by Uzbek scholars. Two major emendations of the Khamsa were published in the 21st century by Tamaddon and Ghafour Gholam publications. Despite the involvement of numerous scientific institutions and renowned scholars, these editions contain errors across all five works of the Khamsa that require correction. Specifically, the errors in Hayrat al-Abrar can be traced to discrepancies across six sources. Understanding the origins of these mistakes is crucial for producing an accurate edition of Hayrat al-Abrar. Researchers from Iran, particularly those with expertise in Turkish, Persian, and Arabic, who are familiar with the old script, can provide valuable assistance in rectifying these errors and contributing to a more authentic text

ALISHER NAVOIY BADIIY KASHFIYOTLARI – CHO‘LPON ESTETIK TAFAKKURI YANGILANISHI OMILI

2026-07-11T18:43:36+05:00

This article explores the significance of Uzbek classical poetry, particularly Alisher Navoi’s poetic innovations, as a crucial poetic factor in the renewal of Cho‘lpon’s aesthetic thought. Through comparative analysis, it is demonstrated that while introducing new poetic images, symbols, content, and form into national poetry, the poet drew lessons from the creative laboratory of his great predecessor, Alisher Navoi. The study substantiates that while images such as the golden cage, the nightingale, and the stone, along with metaphors like “the palace of loyalty” – “the mansion of love” and “the ocean of love” – “the sea of glances”, conveyed mystical meanings in Navoi’s lyrics, they served as instruments for social interpretation in Cho‘lpon’s poetry.

O'ZBEK NAVOIYSHUNOSLARI JOMIY HAQIDA

2026-07-10T11:57:19+05:00

This article examines the contributions of Uzbek scholars to the study of Abdurahman Jami’s creative work, focusing on both his scientific and literary output within the context of Alisher Navoi's life and literary world. The analysis encompasses a range of scholarly works—books, dissertations, and articles—produced by both early and subsequent generations of Navoi scholars, spanning from 1925 to the era of New Uzbekistan. The study explores key topics such as "Navoi and Jami" and "The Interpretation of Jami in Uzbek Navoi Studies," providing a comprehensive overview of these themes in the academic discourse. Additionally, the article considers the research conducted by Orientalists and historians on this subject, comparing these perspectives to highlight the broader academic and cultural context of the study.

OLTI DOSTONDA ODAM ATO TIMSOLI TALQIN

2026-07-10T14:31:32+05:00

This article examines the symbolic representation of Adam, Eve, and their descendants in the works of the great thinker Alisher Navoi, in relation to the concept of adamism developed by a group of Russian poets in the early 20th century. Despite the suppression and eventual prohibition of adamism during the Soviet era, the study highlights its development within global literature and literary scholarship. The article demonstrates that the core principle of adamism is the interpretation of humanity’s potential to return to an ideal state.
The image of Adam is analyzed as a central motif in Navoi's works, where it is utilized to promote the concept of the perfect human being. The study argues that one of the defining features of adamism in Navoi's poetry is the portrayal of Adam as a symbol of originality, purity, and an expanded poetic potential. Furthermore, the article asserts that Navoi's works conform to the theoretical principles of poetics, meeting the established criteria for literary excellence

SUYUMA G‘ANIYEVA – NAVOIYSHUNOS

2026-07-10T16:34:53+05:00

This article examines the contributions of Professor Suyima Ganiyeva, a distinguished scholar recognized with numerous state awards, who dedicated her career to the research of Orientalism and classical Oriental literature, particularly the works of Alisher Navoi. Her tireless efforts in the field have significantly advanced the study of these literary traditions. The article also analyzes the reviews and critical writings prepared by Ganiyeva, which played a pivotal role in the publication of a comprehensive collection of Alisher Navoi’s works

ALISHER NAVOIY TOSHBOSMA DEVONLARIDAGI AYRIM G‘AZALLAR MATNINING QO‘LYOZMA NUSXALAR BILAN QIYOSI

2026-07-11T18:13:33+05:00

This article compares select ghazals from the lithographic divans of Alisher Navoi with the text of authoritative manuscripts. It identifies and analyzes the textual discrepancies between the two sources, providing an examination of the factors contributing to these differences. The study aims to offer insights into the variations and their implications for the accurate representation of Navoi’s works

TA’LIM TIZIMI BOSQICHLARIDA ALISHER NAVOIY HAYOTI VA IJODINI O‘RGATISHDA FANLARARO INTEGRATSIYADAN FOYDALANISH

2026-07-11T19:07:14+05:00

The article examines the use of interdisciplinary integration technologies in teaching the life and work of Alisher Navoi at the stages of the education system, shows the use of fine arts, music, information and communication technologies to increase the activity of students.

ALISHER NAVOIY BADAXSHON SHOHI VA SHOIR SULTON MUHAMMAD LA’LIY IJODI TADQIQOTCHISI (Navoiy va uning zamondoshlari tazkiralari ma’lumotlari asosida)

2026-07-10T12:21:50+05:00

This article examines the life and literary contributions of Sultan Muhammad Lali, the ruler of Badakhshan, drawing upon the works of the eminent thinker Alisher Navoi and his contemporaries. Sultan Muhammad Lali was among the most distinguished poets of his era, attracting renowned literary figures to his court. Under his patronage, the Badakhshan palace became a center for literary gatherings, where poetry and intellectual discourse flourished. The study highlights his role in fostering a vibrant literary environment and his significance within the broader cultural and poetic landscape of his time

ABROR HAYRATI

2026-07-10T15:55:46+05:00

Alisher Navoiy “Hayrat ul-abror” dostoni bilan о‘zining buyuk “Xamsa”sini boshlaydi. Asar 1483-yil masnaviy yо‘lida yozilgan bо‘lib, 3988 baytdan iborat. Nizomiy Ganjaviyning “Maxzan ul-asror”iga javoban yozilgan, lekin Navoiy bu asarini yozishda Xusrav Dehlaviyning “Matla ul-anvor” va Abdurahmon Jomiyning “Tuhfat ul-ahror” asarlaridan ham ta’sirlanganini qayd etadi. Dostonning muqaddimasi 21 bobdan, asosiy qismi 20 bobdan (20 maqolat va 20 hikoyatni о‘z ichiga olgan), xotimasi esa 2 bobdan tarkib topgan. Doston jami 43 bobdan tashkil topgan.
Asar chuqur mazmunga ega bо‘lib, uning mohiyatini ochishni nomini sharhlashdan boshlash lozim. Mavjud tadqiqotlarda asar nomi “Yaxshi kishilarning hayratlanishi”, “Yaxshilar hayrati” tarzida izohlanadi. “Yaxshi kishilar” sifati, umuman olganda, “abror” atamasiga muvofiq keladi, ammo u о‘ta umumiy mazmunga ega bо‘lib, “abror” istilohi xoslangan va Navoiy nazarda tutgan maxsus ma’noni aniq ifodalay olmaydi. Asar nomining “Abrorlar hayrati” tarzidagi ifodasida ham “-lar” qо‘shimchasi ortiqcha, chunki abror sо‘zining о‘zi kо‘plik shaklida. Doston nomining о‘zbek tiliga mos ifodasi, aslida, “Abror hayrati” bо‘lib, bundagi har ikki sо‘z maxsus termin bо‘lgani bois alohida izohlanishi zarur.

ALISHER NAVOIYNING “FARHOD VA SHIRIN” DOSTONI TABDILLARI TAHLILI

2026-07-10T17:02:22+05:00

This article explores the epic Farhad and Shirin by Alisher Navoi, focusing on several critical aspects of the text. These include the originality of the epic, the publication of its various versions, textual discrepancies, and differences in the translations of the work. The study also addresses the history of the text, the processes of text editing and censorship, and the challenges associated with its method of prose narration

“HAYRAT UL ABROR”DAGI TEONIMLARNING SEMANTIK VA BADIIY XUSUSIYATLARI

2026-07-11T18:38:20+05:00

This article analyzes the usage, meaning, and artistic characteristics of theonyms in Alisher Navoi's Hayrat ul-Abrar. It explores how divine names, regarded as noble and sacred, play a significant role in the text, particularly in the context of the Hayrat ul-Abrar. Special attention is given to the names of God, as certain anthroponyms in Uzbek are directly linked to these theonyms. The study examines how these divine names function within the narrative and their impact on the thematic and stylistic elements of the work

ALISHER NAVOIY FENOMENI YOXUD NAVOIY IJODINING OLAMSHUMUL AHAMIYATI

2026-07-10T11:50:10+05:00

Mazkur maqolada fikr uzoq yillar G‘arbiy Yevropada o‘zbek (turkiylar) ning betakror shoiri sifatida tan olinmagan, unga faqat davlat arbobi, Husayn Boyqaroning do‘sti, o‘ng qo‘l vaziri deb, she’rlarini davlat ishlari orasida ko‘ngilxushlik uchun bitilgan mashqlar deb qaralgan, bugun esa ijodiyoti olamshumul ahamiyatga ega bo‘lgan, nemis oriyentalistlari tomonidan e’tibor qilinib, “Hirotning baxti”,“Hirot boshiga qo‘ngan baxt qushi” (Xofman) deya e’zozlanib, e’tirof etilayotgan Mir Alisher Navoiyning original ijodkorligi, uning fenomeni haqida boradi.

QО‘QON ADABIY MUHITIDA NAVOIYGA IZDOSHLIK

2026-07-10T12:44:59+05:00

This article examines the development of literary writing within the Kokand literary environment during specific historical periods, with a particular focus on the creative contributions of Tababb. It provides an overview of Tababb’s distinctive literary style and its influence within this cultural milieu. A comparative analysis is conducted on the tatabbu poetry of notable poets such as Uvaysi, Nadir, Mukimi, and Furkat, who skillfully crafted refined and artistically sophisticated tatabbu works inspired by Alisher Navoi. The study explores the intricate techniques employed by these poets, uncovering the depth of their artistic mastery. Additionally, brief insights are provided into the tatabbu ghazals that emerged in this literary environment, including forms such as mavisa, masnavi, and matbu, highlighting their stylistic and thematic significance

“ALISHER NAVOIY” ROMANIDA OBRAZ POETIKASI

2026-07-10T16:26:43+05:00

This article explores how contemporary authors have introduced new imagery and expressions into modern prose, offering diverse perspectives on life. Through creative approaches, they have enriched literary themes, aiming to convey the prevailing social issues to readers. In the poetics of these prose works, a notable development is observed in the motifs of identity, pride, and generosity, which are presented within the framework of loyalty to literary tradition. The study examines how these motifs are reinterpreted and integrated into modern narratives, reflecting both continuity with the past and innovation in addressing contemporary concerns.

PARIJ KULLIYOTIDAGI “FAVOYID UL-KIBAR”NING MATNIY XUSUSIYATLARI

2026-07-10T19:57:15+05:00

This article examines the scientific significance of collections containing the majority of Alisher Navoi's works, with a particular focus on the Paris Collection, which includes 26 of his works. The study highlights the unique features of the poems within the text of Navoi's Favoyid ul-Kibar, analyzing their distinctive characteristics and the contributions of this collection to the broader field of Navoi studies.

АЛИШЕР НАВОИНИН ЧЫГАРМАЛАРЫН САНАРИП ПЛАТФОРМАЛАР АРКЫЛУУ ЖАЙЫЛТУУ

2026-07-11T19:01:32+05:00

This article examines the significant influence of Alisher Navoi, one of the pioneering poets in Uzbek, Persian, and Turkish languages, on the development of Turkish literature and culture. The article emphasizes the continued relevance of Navoi's philosophy, literary heritage, and universal human values, especially in the context of 21st-century challenges such as globalization, technological advancements, human rights, and enhanced intercultural communication. It highlights how Navoi's contributions remain influential across various fields of study. Moreover, the article explores how digital platforms offer unique opportunities to promote and disseminate the literary and cultural legacy of this renowned poet, with a particular focus on its integration into the educational framework of the Kyrgyz Republic, specifically in Turkic folk literature and comparative linguistics courses

ALISHER NAVOIY IJODIDA SAN’AT TALQINI

2026-07-10T12:14:45+05:00

So‘z saltanatining sohibqironi Mir Alisher Navoiy hazratlari ilm-fan, adabiyot va san’atning ko‘plab sohalarini mukammal o‘rgangan hamda egallagan qomusiy olim edilar. Mazkur maqolada mutafakkir shoirning musiqa va raqs san’atiga oid noyob fikrlari tadqiq qilinadi.

O‘ZBEK AYOL SHOIRALARI IJODIDA ALISHER NAVOIY OBRAZI TASVIRLARI

2026-07-10T14:59:09+05:00

This article examines the artistic representation of the great thinker Alisher Navoi in Uzbek literature following the country’s independence, a period during which the realization of national identity and the restoration of national values became central concerns. In this context, Navoi emerged as a symbol of spiritual and moral excellence, with his exemplary life and character serving as a model. The works dedicated to him in post-independence Uzbek literature, particularly those by female poets, constitute a distinctive and significant contribution. The article specifically explores how the image of Alisher Navoi is depicted in the poems of prominent female poets Halima Khudoyberdiyeva, Oydin Hojiyeva, and Farida Afro'z, highlighting the unique portrayal of Navoi in the literary works of this period

RAMZIY-MAJOZIY OBRAZLAR TA’VILI HAQIDA MULOHAZALAR

2026-07-10T16:56:54+05:00

This article explores the evolution of Turkish literature in the 12th and 13th centuries, particularly the transformation of poetic art into a medium for expressing Sufism. As mystical thought gained prominence, poetic forms that utilized metaphor, symbolism, and allegory became central to this spiritual expression. Traditional images were reinterpreted as mystical symbols, leading to a division in literary tradition: the haqiqat tariqi (path of truth) focused on themes of unity and monotheism through metaphor, while the majoz tariqi (path of metaphor) used symbolic imagery to address mystical, philosophical, and social issues. The article specifically examines the mastery of symbolic and metaphorical image creation by poets such as Khusrav Deglavi, Ahmadiyya, Alisher Navoi, and Nizari, analyzing their contributions to this literary and spiritual tradition

MUHAKAMAT AL-LUGHATAYN'S LITERARY AND ACADEMIC ASPECTS

2026-07-11T18:31:58+05:00

This article examines the significant impact of Alisher Navai's literary works on the revival of Turkic languages, particularly Chagatai Turkic, marking a pivotal moment in the literary renaissance of Turkic peoples. This renaissance encouraged poets and authors to write in their native languages rather than Persian, which had long been the dominant literary medium. Navai's legacy has had a lasting influence, inspiring subsequent generations of writers. His work Muhakamat al-Lughatayn stands out for its innovative synthesis of the Timurid literary language, Chagatai Turkic, with Persian, providing a foundation for future literary and linguistic scholarship. Muhakamat al-Lughatayn is a seminal text that offers valuable insights into the linguistic and cultural dynamics of late medieval Central Asia. It is considered foundational in the field of Turkic philology and has had a profound influence on the development of Turkish literature and the global understanding of the region. The corpus of literature surrounding Navai's work is extensive and continues to shape scholarly discourse

RENESSANS ADABIYOTIDA ETOLOGIK JANR TARAQQIYOTI

2026-07-10T11:41:33+05:00

Maqola Renessans adabiyotida etologik janr taraqqiyoti muammosiga bag‘ishlangan. Muallif mavzuni Sebastian Brantning “Tentaklar kemasi”, Alisher Navoiyning “Mahbub ul-qulub”, Erazm Rotterdamskiyning “Ahmoqlik maqtovi” asarlari misolida yoritgan. Maqolada bu asarlarning etologik janr rivojidagi o‘rni va ahamiyati, mushtarak va farqli jihatlari, ularda Renessans g‘oyalarining aks etishi singari masalalar yoritilgan

ALİ ŞİR NEVAÎ BEYİTLERİNDE KULLUK ŞUURU

2026-07-10T12:39:27+05:00

This article examines Alisher Navoi’s exceptional role in the history of literature, society, culture, and Sufism, emphasizing his artistic mastery, intellectual contributions, and ethical virtues. Profoundly knowledgeable in the sciences of the Quran, Hadith, Islamic jurisprudence (fiqh), theology (kalam), Sufism, history, and literature, Navoi infused his scholarly and spiritual heritage into his works and poetry. His couplets, rich in wisdom, metaphysical depth, and transformative insight, serve as repositories of enlightenment and esoteric knowledge.
In addition to his literary achievements, Navoi demonstrated sincerity and integrity in his state duties and social endeavors, attaining remarkable success. Renowned for his virtuous character, benevolence, and philanthropy, he acted as a patron of the arts while providing support to the impoverished and marginalized. His philosophy and way of life became an exemplary model, leaving behind not only a literary legacy but also a spiritual inheritance as a paragon of moral excellence.
Drawing lessons from history, Navoi sought to utilize his time effectively, illuminating the future with his knowledge and experience. His unwavering sense of "servitude awareness" (ubudiyyah), deeply rooted in his faith as a devoted servant of Allah (c.c.) and a member of the Ummah of the Prophet Muhammad (PBUH), shaped his worldview. He possessed a profound understanding of the realities of existence—encompassing the material world, the Hereafter, the cosmos, and divine creation—making this awareness his most defining and essential characteristic.
At the heart of human purpose lies the duty of servitude (ʿubūdiyyah) to the Creator. This study critically examines select couplets from Navoi’s poetry that exemplify his profound consciousness of servitude, shedding light on its philosophical, theological, and literary dimensions.

XALQ MAYDON KULGI SAN’ATI BELGILARINING NAVOIY IJODIDAGI KО‘RINISHLARI

2026-07-10T16:19:24+05:00

This article explores the role of folk humor in the works of Alisher Navoi, emphasizing its significance as a reflection of public creativity and its impact on both cultural and social life. Navoi's depiction of the inner world and social relationships of individuals is analyzed through the lens of folk humor, considering its symbolic and aesthetic features. The article investigates how elements of folk laughter are integrated into Navoi's literary works, shedding light on their contribution to the understanding of human nature and societal interactions.

ALISHER NAVOIYNING DASTLABKI IKKI DEVONI HAMID SULAYMON NIGOHIDA

2026-07-10T19:49:32+05:00

This article explores Prof. Hamid Sulayman’s doctoral dissertation, which provides valuable insights into the manuscripts of two early divans by ‘Ali Shīr Navā’ī – Badayi' al-bidaya and Nawadir al-nihaya. While Sulayman's work, written over sixty-five years ago, laid a significant foundation, certain postulates require revision and further clarification in light of contemporary advancements in Navā’ī studies. This article, building upon Sulayman's research, examines early copies of these divans, analyzing their contents and the notes made in primary sources. Additionally, the article highlights the contributions of newly discovered manuscripts, which were found after the publication of Sulayman’s dissertation. These manuscripts include works from the initial stages of Navā’ī's poetry, encompassing both his youthful and mature lyrical legacy, thereby enriching the study of Navā’ī’s early poetic development

ALISHER NAVOIY HAYOTI VA IJODINING “ЛИТЕРАТУРА” DARSLIKLARIDA AKS ETISHI

2026-07-11T18:53:31+05:00

This article explores the global recognition of Alisher Navoi as a renowned poet, philosopher, and statesman, and addresses the enduring significance of studying his life and literary legacy. The article focuses on the inclusion of Navoi's personality and works in educational curricula, specifically in schools where instruction is provided in languages other than Uzbek, with a particular emphasis on Russian-language secondary school textbooks. It examines the content related to Alisher Navoi in these textbooks, assessing the treatment of his works in terms of genre, thematic scope, and their effectiveness in enhancing students' understanding of the poet’s contributions. Additionally, the article offers recommendations for improving the teaching of Alisher Navoi’s life and oeuvre to foster a deeper appreciation and comprehension of his literary and philosophical impact

IKKI TURKMAN HUKMDORI IJODI VA ALISHER NAVOIY

2026-07-10T12:05:27+05:00

Ushbu ilmiy maqolada buyuk shoir va mutafakkir Alisher Navoiy asarlari ma’lumotlari asosida Qoraqo‘yunli turkmanlar sultoni Jahonshoh hamda Oqqo‘yunli turkmanlar hukmdori Sulton Ya’qublar ijodi haqida so‘z yuritiladi. Ma’lumki, Navoiy “Majolis un-nafois” tazkirasining yettinchi majlisida temuriy shoirlar qatori ikki turkman sultoni ijodi haqida to‘xtalib, ularning she’rlariga o‘zining yuqori bahosini bergan

ALISHER NAVOIYNING NABOTOT VA HAYVONOT OLAMIGA MUNOSABATI

2026-07-10T14:48:38+05:00

This article examines how the concepts of life and independence inspire a shift in human thought, emphasizing the importance of both natural and social sciences in shaping the future of environmental preservation. It argues that individuals who possess a deep understanding of cultural and historical values are more likely to approach nature with responsibility and foresight. By highlighting the connection between cultural awareness and environmental stewardship, the article suggests that such individuals are less prone to act impulsively and more inclined to seek rational and sustainable ways to utilize nature’s resources, considering the long-term consequences of their actions

“HAYRAT UL-ABROR”NING YANGI TADQIQLARI XUSUSIDA

2026-07-10T16:50:06+05:00

This article explores the study of Alisher Navoi's epic poem Hayrat ul-abror within the context of literary scholarship during the period of Uzbekistan's independence. It examines contemporary research methodologies applied to epic studies, focusing on the interpretation of the poem's religious and didactic themes. Additionally, the article analyzes new approaches to the poetics of Hayrat ul-abror, highlighting the evolving critical perspectives on its structure, symbolism, and cultural significance in modern literary discourse

QOZOG‘ISTONDA MIR ALISHER NAVOIY IJODINING O‘RGANILISHI

2026-07-11T18:25:01+05:00

This article explores the contributions of Mir Alisher Navoi, a distinguished scholar and master of literature, who extensively studied and excelled in various fields of science, literature, and the arts. Specifically, the article examines the poet's insightful reflections on the art forms of music and dance, highlighting his unique perspectives and their integration within his broader intellectual and artistic endeavors

O‘ZBEK SHE’RIY MATNLARIDAGI KOGNITIV METAFORALARNING FRANSUZ TILIDA IFODALANISHI

2026-07-11T19:16:09+05:00

This article examines the use of cognitive metaphors in poetic texts, emphasizing their role in reflecting the aesthetic potential of language, national thought, and cultural heritage. The study analyzes the national and cultural characteristics of cognitive metaphors in the Uzbek language, with a focus on the challenges of their translation. Using the French translation of Alisher Navoi's ghazals as a case study, the article explores the complexities of recreating these metaphors in translation and their impact on preserving the original cultural and linguistic nuances.

ӘЛІШЕР НАУАИ

2026-07-10T11:31:51+05:00

Түркі халқының ұлы ойшылы Әлішер Науаи (Низамеддин Мір Әлішер) әлем әдебиетіне, мәдениетіне үлкен үлес қосқан, адамдардың бақытты болуы жолында, халық тыныштығы, елдің тазалығы үшін күрескен ғалым және мемлекет қайраткері. Науаи 1441 жылы 9 ақпанда һират (қазіргі Ауғанстанның батысында Иран шекарасына жақын маңда орналасқан қала) қаласында дүниеге келген. Атасы сол кездегі Темір әулеттері сарайында қызмет етеді. Әлішерді 4-5 жас шамасында мектепке оқуға береді, 10-12 жасында өлеңдер жаза бастайды. 15 жасында болашақ тақ иесі Үсейін Байқарамен (1397-1433) бірге Әбілқасым Бабыр (1422-1457) сарайында қызмет атқарады. Балалық шағынан бірге өскен досы Үсейін Байқара таққа отырғанда, оның сарайында алғашқы ережелер, бұйрық дайындаушы, соңынан ақын болып қызмет атқарады. Сарайда қызмет еткенде халықтың тыныштығын, тазалығын сақтау үшін көп еңбек еткен, ғылым адамдарына етене жақын болып, көмектесіп жүрген істерімен танылады. Қоғам қайраткері ретінде өз халқына қызмет етуі, қолұшын беруі, қамқоршы болуы, пайдалы жұмыстар атқаруға тиіс деп санаған ұлы ойшыл өзінің де жазып қалдырған дүниелері мол.

NAVOYINING YIGITLIK LIRIKASIGA MANSUB MUSTAZODI

2026-07-10T12:33:17+05:00

This article explores mustazod, a lyrical genre developed by Alisher Navoi, with a particular focus on its manifestation in the poet’s early works. For the first time, the study specifically examines mustazods found in Navoi’s youth poetry, analyzing those preserved in Ilk Devon and the Divan of the Aq Qoyunlu Admirers. These early versions are systematically compared with their counterparts in Navoi’s complete devons, enabling a deeper understanding of the poet’s creative process. Through this comparative analysis, the study uncovers the stages of textual refinement and artistic evolution in Navoi’s poetry, highlighting the transformation of mustazods from their initial drafts to their final, fully developed forms

BADIIY MATN VA TASVIRIY VOSITALAR MUTANOSIBLIGI

2026-07-10T16:14:06+05:00

This article examines the errors encountered in the reading and publication of Alisher Navoi's works. It highlights the strong and consistent connections within his works, particularly between the various visual elements and the ideological content, as well as their relationship to specific idiomatic expressions. When analyzed from this perspective, the mistakes in interpretation become particularly evident. The article further addresses the corrections made to the content of certain verses, taking into account these critical aspects to ensure a more accurate representation of the poet's intended meaning.

NAVOIY ASARLARIDA TINISH BELGILARINING YANGLISH ISHLATILISHI

2026-07-10T19:43:00+05:00

This article discusses the issues arising from the incorrect use of punctuation marks in the works of the great figure of Uzbek language and literature, Mir Alisher Navoi, particularly in the example of Khazoyin-ul-Maoniy (volumes 3-6) from the Mukammal Asar Tarjimai (Complete Works) published between 1988 and 2003. It highlights how the improper use of punctuation has made it more difficult to read and understand these works, and how this issue has led to a separation between Navoi's works and the Uzbek readership. Consequently, contemporary readers are forced to read Navoi's works in "translation" (prose expression). The article examines specific examples to uncover the reasons for this challenge. By reviewing the incorrectly used punctuation marks in Navoi's works, the article concludes that insufficient attention was given during the publication process. Scholars involved in preparing the manuscripts for print did not follow the syntactic structure and meaning of the verses when inserting punctuation. Instead, they adhered to a general rule, placing a comma at the end of the first hemistich of each verse and a period at the end of the second. In many cases, simple sentences within compound sentences were not properly separated by commas, leading to ambiguity in interpretation. This resulted in the false perception that "Navoi is a poet of the elite, and only a few specialized scholars can read and understand his works."

ALISHER NAVOIYNING BOQIY MEROSI JAHON TILLARIDA

2026-07-11T18:47:17+05:00

This article examines the invaluable creative and scientific legacy of Alisher Navoi, highlighting his significant contributions not only to the history of our national culture and literature but also to world literature. The analysis emphasizes Navoi’s impact on the development of national cultural and aesthetic thought, underscoring his enduring influence on both the intellectual and literary traditions of his time

ABDURAHMON JOMIY VA ALISHER NAVOIY G‘AZALLARIDA YUSUF (A. S.) SIYMOSINING BADIIY TALQINLARI

2026-07-10T12:00:02+05:00

Maqolada Alisher Navoiy va Abdurahmon Jomiy g‘azallarida Yusuf siymosining qo‘llanilish xususiyatlari haqida fikr yuritiladi. Muallif Qur’oni karim bilan to‘g‘ridan-to‘g‘ri genetik bog‘langan muhim motivlarning ikki shoir g‘azallariida qo‘llanilishiga xos masalalarga e’tiborni qaratadi, o‘xshah va farqli jihatlarni aniqlaydi

XORAZM ADABIY MUHITIDA DEBOCHANAVISLIK AN’ANALARI

2026-07-10T14:36:44+05:00

This article explores the creative continuation of the tradition of writing prefaces to the divan of Alisher Navoi, specifically in the works of prominent representatives of the Khorezm literary milieu, including Munis, Ogakhi, and Tabibi. The study critically examines the interplay of tradition and originality in the prefaces to their divans, analyzing how these poets both adhered to and innovated upon established literary conventions. Through this analysis, the article highlights the distinctive features of their contributions and evaluates the evolution of preface-writing within the context of Khorezm's literary development

ALISHЕR NAVOIY “XAMSA”SIDA MIRRIX OBRAZINING MAJOZIYLIK XUSUSIYATLARI

2026-07-10T16:40:00+05:00

This article examines the use of planetary imagery in the "Khamsa" epics by the renowned Uzbek poet and philosopher Alisher Navoi. It focuses on the stylistic expression of these planetary figures, particularly in the prologues of the epics, and explores their symbolic meanings. Among the planetary images, particular attention is given to Mars, represented through various active forms, such as Mirrix and Bahram. The article analyzes how these planetary motifs are integrated into Navoi's epics, including "Hayrat ul-Abror," "Farhad and Shirin," "Layli and Majnun," "Sabai Sayyor," and "Saddi Iskandariy." The discussion highlights the poet’s mastery in the gradual interpretation and artistic application of these images. The analysis is supported by relevant scholarly literature and concludes with insights into the poet’s creative approach

FÂNİ DİVANINDAKİ AVNÎ DİVANINDAN TERCÜME OLUNMUŞ ŞİİRLER ÜZERİNE

2026-07-11T18:17:46+05:00

Bu çalışma, Avnî ve Fâni divanlarında yer alan, biri Türkçe diğeri ise Farsça olan, ancak kesin olarak birinin diğerinden tercüme edildiği anlaşılan 7 şiirin tanıtılmasına odaklanmaktadır. Çalışmanın amacı, bu şiirlerin hangisinin hangisinden çevrildiğini ayırt etmek olup, bu hedef doğrultusunda önce Avnî ve Fâni’nin yaratıcılığına kısaca bir bakış yapılmış, ardından doğrudan söz konusu şiirlerin incelemesine geçilmiştir. Elde edilen kaynaklar ve veriler doğrultusunda, bu şiirlerin asıllarının Fatih Sultan Mehmed’e ait olduğu ve Fâni divanındaki şiirlerin tercüme olduğu tespit edilmiştir. bu konu Nevâi’yi tesiri altına alan kimselerin sayısının artması, türkçe’nin batı-doğu ilişkileri ve daha başka bakımlardan son derece önemlidir

“LISON UT-TAYR” DOSTONINING AYRIM MORFEMIK XUSUSIYATLARI TAHLILI

2026-07-11T19:10:45+05:00

In this article, AlisherNavoi’s work “Lisonut-tayr” was chosen as the object of study, and the main goal of the work was to analyze the language of the work at the morphemic level. Also, the types of word-forming affixes according to their location, methods of formation, morphemic antonymy, homonymy, synonymy are discussed, and examples from the work are given.

ALISHER NAVOIY VA XXI ASR

2026-07-08T15:06:37+05:00

Ushbu to‘plamda “Alisher Navoiy va XXI asr” mavzusidagi 10-uluslararo konferansi materiallari jamlangan. To‘plamda Alisher Navoiy adabiy-ilmiy merosining mumtoz adabiyotimizdagi o‘rni va bugungi kun uchun ahamiyati, shuningdek, shoir ijodiga bog‘liq holda matnshunoslik va tilshunoslik muammolariga doir ilmiy maqolalar oʻrin olgan. Navoiyshunoslikning bugungi holati va istiqboli borasida muayyan tasavvur berishi uning ahamiyatini belgilaydigan omillardan biridir. Kitob filolog mutaxassislar, ilmiy tadqiqotchilar, magistrantlar va bakalavr talabalari hamda keng o‘quvchilar ommasiga mo‘ljallangan.
Mualliflar qarashi va asarlar nomlaridagi imlo tahririyat nuqtayi nazaridan farqlanishi mumkin.

ALISHER NAVOI'S CREATIVE WORKS: A SCIENTIFIC EXPLORATION

2026-07-10T12:25:49+05:00

Alisher Navoi (1441-1501), a prominent poet, philosopher, and statesman of the Timurid Empire, is celebrated for his significant contributions to Turkic literature. This article examines Navoi’s literary achievements, focusing on his poetic collections, philosophical treatises, and cultural impact. The study employs a historical-analytical approach to explore the thematic richness, linguistic innovations, and socio-political relevance of his works. The findings underscore Navoi’s role in elevating Chagatai Turkic as a literary language and his enduring influence on subsequent generations of writers and intellectuals

ALISHER NAVOIY MUSTAZODIGA BOG‘LANGAN MUXAMMAS HAQIDA

2026-07-10T16:04:21+05:00

This article examines the mustazad as a distinctive lyrical genre within Uzbek literature, highlighting its unique significance. The earliest masters of this genre can be traced in the works of figures such as Hafiz Khorezmi, Gadoi, and Alisher Navoi. It is well-documented that Ogahi introduced a distinctive innovation to this genre. The poet Ahmed Tabibiy, active in Khiva during the late 19th and early 20th centuries, was deeply influenced by the works of prominent figures like Navoi, Munis, and Ogahi. This article provides an analysis of the mustazad genre, with a particular focus on Ahmed Tabibiy’s interpretation of Alisher Navoi's contributions to the genre.

SENGLAH SÖZLÜĞÜNÜN FERAĞİ DÜZELTMELERİ VE FERAĞİ’DEN YANLIŞ AKTARMALARI ÜZERİNE

2026-07-10T17:04:25+05:00

Many Chagatai Turkish dictionaries have been edited in every corner of the world to understand the works of ‘Alí Şír Nevāyí. One of these is the Chagatai Turkish-Persian dictionary of Muģammed bin Żiyā’u’d-dín Ģüseyní, with the pseudonym Ferāġí, named Miftāģu’l-Luġat written in the name of the Safavid sultan Ŝafí bin Ŝafí in the field of Iran in the 17th century. This work, with the total number of entries being 720, was published by Farhad Rahimi in Türkiye in 2021 and in Iran in 2024. The only copy of this work, written in 1642, is kept in the Iran-Tehran National Library, number 5-19055. Another one of these dictionaries is Senglaĥ Chagatai Turkish-Persian dictionary was written by Mirza Mehdi Han Esterabadi in H. 1172-1173 (1758-1760) in Iran. These dictionaries, which were generally written in the Ottoman Empire, Iran, Azerbaijan, Khorasan, India or Turkestan and have great value for the history of the development of the Turkish language, have formed a school of lexicography. These dictionaries, in Caferoğlu's words, unfortunately are not free from errors. There are such errors in Senglaĥ and Ferāġí dictionaries, as in all written dictionaries. Some of the mistakes of Ferāġí have been corrected by indicating them in Senglaĥ. These issues have been stated in this study. There are some items that are correct in Ferāġí but are considered wrong in Senglaĥ. Another aim of this study is to determine such mistakes

QO‘SHMА FЕ’L KOMPONЕNTLАRI INVЕRSIYASI

2026-07-11T18:40:57+05:00

This article explores the syntactic forms in poetic works, specifically focusing on inversions, which differ significantly from those found in other types of texts due to their distinct manifestations. In classical poetic works, complex syntactic structures often undergo inversion, with their parts appearing in various positions relative to one another. The aim of this study is to examine this phenomenon through the lyrical works of Alisher Navoi. The article analyzes the inversion of compound verb components, a key type of multi-component lexical form, by investigating the different types of compound verb components and their positioning within the poetic line

HUMANISM AND CREATIVITY IN THE WORKS OF NAVAI AS A FACTOR IN ENSURING CONNECTIONS BETWEEN THE PEOPLES OF EURASIA

2026-07-10T11:52:48+05:00

This article examines the development of cultural processes within the social
life of the Eurasian peoples through the promotion of the humanitarian aspects of Alisher
Navoi's work. In the context of contemporary challenges, where mutual cultural unity and the
cohesion of Eurasian communities are paramount, it is crucial to consider the role of Alisher
Navoi as a key figure. His advocacy for unity, solidarity, and the advancement of cultural
traditions, which occupy a central position in his oeuvre, holds particular relevance today. The
promotion of humanitarian ideas in Navoi's works is analyzed as a form of ideological influence promotion of humanitarian ideas in Navoi's works is analyzed as a form of ideological influence,
The article also explores the role of Navoi's heritage in the development of cultural
relations, particularly in literary processes, and emphasizes the importance of fostering positive
socio-cultural interactions in the context of multicultural development. It addresses the concepts
articulated in Navoi's writings and their intrinsic value, offering insights into their optimal
application for enhancing contemporary socio-cultural dynamics. Furthermore, the article
highlights the necessity of promoting artistic and humanistic ideas from Navoi's works to
maintain harmony and stability in the Eurasian region, interpreting his ideas as a spiritual
resource that contributes to the flourishing and transmission of cultural heritage.

ADABIY TA’SIR VA POETIK TAFAKKURNING YANGILANISHI

2026-07-10T14:28:03+05:00

This article examines the mutual literary influence between Alisher Navoi and Husayni, as reflected in Navoi’s Majolis un-nafois, with a focus on their literary cooperation and friendship. The study highlights the significance of their personal and professional relationship in fostering their creative growth and enhancing their works. It explores the harmony in thought and expression between the two poets, while also emphasizing their individual originality. The article identifies the limits of mastery in their respective literary contributions and explores the key questions raised through their observations and mutual influence

YETTI SAYYORA: BADIIY TALQIN VA ILMIY DUNYOQARASH

2026-07-10T16:30:57+05:00

This article explores the use of mystical numbers in classical literature as a means to enhance the aesthetic impact of artistic works, reflecting the beliefs and values of societies. Specifically, numbers such as 3, 7, 9, 18, and 40 have held particular significance in various artistic traditions. Among these, the number 7 is often interpreted as a divine symbol. This study aims to analyze the symbolic role of the number 7, focusing on its representation through images of the seven planets, and how this motif contributes to the deeper thematic and aesthetic dimensions of classical literary works

HUSAYN BOYQARO – HUSAYNIY ADABIY MEROSINING O‘ZBEKISTONDA O‘RGANILISHI

2026-07-10T20:00:44+05:00

This article examines the poetic and ruling legacy of Sultan Hussain Baykara, who was renowned in his time as a poet under the pen name Husayni. The study traces the development of Husayni’s literary and political contributions chronologically, focusing on their historical and cultural significance. Additionally, the article provides a scientific analysis of the research conducted in Uzbekistan on Husayni studies, evaluating the progress and key findings in the field

ALISHER NAVOIYNING DIDAKTIK QARASHLARI

2026-07-11T19:04:21+05:00

The complex path of human development to this day proves that noble goals can only be achieved with continuous spiritual education. After all, education, upbringing, spirituality are the basis of human life, an incomparable force that strengthens the will, thinking and awakens conscience, an important criterion for all worldviews. In order for a person to strive to do only and only good deeds on earth, it is necessary to give him the right upbringing from childhood. This is the basis that makes the name of the human race great and its rank exalted. Inchunin, this is the philosophy of Alisher Navoi, the criterion of eastern morality

ШЫҒЫС ӘДЕБИЕТІНІҢ ҚАЗАҚ ФОЛЬКЛОРЫНДАҒЫ КӨРІНІСІ

2026-07-10T12:18:14+05:00

This article examines the unique reflections of Mir Alisher Navoi, a master of the realm of words and a scholar well-versed in various disciplines of science, literature, and art, on the art forms of music and dance. By analyzing Navoi’s perspectives on these subjects, the study reveals his nuanced understanding of music and dance as significant components of cultural and artistic expression, situated within the broader scope of his intellectual and artistic achievements.

NAVOIY G‘AZALLARIGA MUQIMIYNING NAZIRA VA TAXMISLARI

2026-07-10T15:53:33+05:00

This article examines the profound influence of Alisher Navoi's works on Muhammad Aminkhoja Mukimi, a prominent figure in the literary environment of Kokand. Mukimi, who held Navoi in high regard from his youth, was inspired by his poetry, particularly admiring many of Navoi's ghazals and composing takhmises in response to seven of them. The article draws scientific and theoretical conclusions regarding Mukimi's creation of timeless masterpieces, blending unique artistry with deep intellectual insight. Additionally, the article analyzes, through specific examples, how Navoi's works influenced Mukimi's approach to writing comic literature, highlighting the lasting impact of Navoi's literary legacy on Mukimi's creative output.

ALISHER NAVOIYNING “MUNSHAOTI ABDULLOH MARVORID”DAN O‘RIN OLGAN FORSIY MAKTUBLARI XUSUSIDA

2026-07-10T16:59:39+05:00

This article examines the role of the munshaot genre in classical Eastern literature, with a particular focus on its introduction into Turkic literature. The article classifies and critically analyzes letters within the epistolary genre, providing a detailed examination of the collection Sharafnoma (or Munshaoti Abdulloh Marvorid), compiled by Abdulloh Marvorid, who held the position of sadorat (chief office) during Sultan Husayn Bayqara’s reign. A brief overview of Marvorid's biography is also included. Additionally, the article explores the Persian letters attributed to Amir Alisher Navoi, featured in the Sharafnoma, with a focus on his correspondence with rulers. One notable letter, Navoi’s communication with Shirvanshah Farrukh Yasar, is presented in its original text alongside a translation and is analyzed in detail. Further insights into other Persian letters by Navoi are also discussed, with attention to their historical and literary significance

АЛИШЕР НАВОИНИН ЧЫГАРМАЛАРЫНДАГЫ ТИЛДИК КАРАЖАТТАР АРКЫЛУУ СТУДЕНТТИН КЕП МАДАНИЯТЫН ӨСТҮРҮҮ

2026-07-11T18:35:38+05:00

This article examines the enduring intellectual legacy of Alisher Navoi, a prominent poet and philosopher who wrote in both Turkic and Persian, and whose works have significantly influenced human thought for centuries. His contributions to the development of science, culture, and the Turkic literary language are highlighted. The article emphasizes the continued relevance of Navoi's poetic language, its artistic potential, and the profound philosophical and humanistic principles embedded in his works. These elements remain vital to contemporary literary discourse. Additionally, the article discusses the rich lexical, stylistic, and imagistic qualities of Navoi's poetry, which continue to serve as the focus of extensive literary analysis. It is further noted that Navoi’s works function as a cultural treasure and an effective pedagogical tool for enhancing speech skills. The use of artistic linguistic devices in his poetry offers an effective means of developing students' speech activity, contributing to improved linguistic proficiency, a deeper understanding of language, and the cultivation of literary values. The article asserts that through the study of Navoi's works, students can not only enhance their own speech culture but also contribute to the broader enrichment of societal speech culture.

NİZAMİ GENCEVİ VE ALİŞİR NAVAİ'NİN TÜR RUHU ESERLERİNİN VE ARAŞTIRICILARININ GÖZÜ İLE

2026-07-10T11:46:05+05:00

This article explores the literary legacies of two eminent Turkic intellectuals, Nizami Ganjavi and Alisher Navoi, as cultural monuments that have fostered spiritual unity among Turkic nations, particularly in Azerbaijan and Uzbekistan, across various historical periods. The concept of Turkism, which first flourished and evolved in the works of Nizami Ganjavi, reached its zenith in the writings of Alisher Navoi, enriched by a deep sense of empathy and cultural synthesis. The profound significance of their literary contributions underscores the necessity for comprehensive scholarly study and the transmission of their ideas to future generations. Furthermore, the themes of Turkic identity, love, and unity—established as fundamental symbols of cultural and national self-identification in Nizami Ganjavi’s works—continue to resonate in the present era. These motifs find their highest expression in the compositions of Muhammad Khwarizmi, Amir Alisher Navoi, Fatih Sultan Mehmed, Imadaddin Nasimi, Muhammad Fuzuli, and numerous other intellectuals. This enduring theme of unity and cultural continuity serves as a vital marker of national consciousness, reaffirming its relevance and legitimacy across time in various literary and historical contexts.

NAVOIYNING “QAYCHI” G‘AZALI

2026-07-10T12:41:49+05:00

This article examines the intricate semantic layers within Alisher Navoi’s ghazals, emphasizing the depth of meaning and the distinctive textual features that characterize his poetic style. The analysis highlights the complexity of Navoi’s verse, demonstrating that a comprehensive understanding of his ghazals requires significant literary expertise and scholarly competence

“FARHOD VA SHIRIN” DOSTONI – AN’ANA TAKOMILI, TARAQQIYSI HAMDA SINTEZI SIFATIDA

2026-07-10T16:22:58+05:00

This article is dedicated to examining the generalization of innovation in Abdulla Qadiri's novel Otkan Kunlar through the lens of Alisher Navoi's Farhod and Shirin saga. It explores how the epic traditions established by Navoi are reinterpreted and incorporated into Qadiri's narrative. The study analyzes the literary techniques and thematic continuities that link these two works, highlighting how Qadiri's novel both draws from and contributes to the evolution of the epic tradition in Central Asian literature

AMÎR ALÎ ŞÎR NEVAÎ`NIN ŞIIRLERINDE ŞAMANLIĞA AID TERİMLER VE RITÜELLER

2026-07-10T19:54:16+05:00

In this study, we will discuss the motifs related to thr shamanism and Tangerism, the ancient religions of the Turks, which are reflected in the poems of Navai, one of the greatest poets of the Turkic world.
Navai not only reflected the events, beliefs, and opinions of the people and the common customs and traditions of her time in her poetry, but also the mythological legends of the Turkic people and other nations in her poetry is reflected . As we know, some customs related to the old Turkic religions Shamanism and Tangerism, such as pouring water on the back of a traveler, hitting a wood, using Yada stone, sprinkling wine on the ground, swearing by the God of skys, and some other myths, are still common among the Turks. These motifs can be found in the poems of most Turkish and Persian poets, but from the time of Yusuf Khas Hajeb to Shahriar, no one has used them as much as Navai. In this study, examples of feasts and rituals belonging to Shamanism and Tengrism are presented from Navai and other Turk, Arab and Fars poets and writers.

HAZRAT NAVOIY IJODIDA NUTQ MADANIYATI

2026-07-11T18:56:25+05:00

This article analyzes the views of the renowned thinker Hazrat Amir Alisher Navoi on the art of oratory, language etiquette, and speech culture. It explores his philosophical perspectives on effective communication, the ethical use of language, and the cultivation of eloquent expression, highlighting their relevance to both his literary works and broader cultural values.

ӘЛЕМ ӘДЕБИЕТІНІҢ АСҚАР ШЫҢЫ (Әлішер Науаидың 584 жылдығына орай)

2026-07-10T12:10:32+05:00

Бұл мақалада түркі халықтары әдебиетінде шоқтығы биік, ұлы ақын, ойшыл кемеңгер, сөз зергері - Әлішер Науаиның өмірі мен әдеби мұрасы жайлы сөз болады. Ақынның әдеби мұрасының ішіндегі ең танымалысы - “Хамсасына” енген дастандар жайлы деректер берілген

ALISHER NAVOIY IRFONIY OLAMINING YANGICHA TALQINI

2026-07-10T14:55:53+05:00

The article analyzes literary scholar Nurboy Jabborov's monograph "Maoniy Ahlining Sohibqironi" from the perspective of a novel interpretation of Alisher Navoi's mystical worldview. The scholar's scientific concept is examined in three main directions: 1. Views on the Islamic-mystical foundations of Alisher Navoi’s works; 2. Analysis of mystical narratives; 3. Interpretation of Sufi symbols and imagery

“XAMSA”DA “KAMPIR” OBRAZI TALQINI

2026-07-10T16:53:55+05:00

This article discusses the places that should be paid attention to in understanding the works of AlisherNavoi, the types of female images in the epic poem “Khamsa” according to their character. Also, the image of the old woman embodied in the epic poems “Khairatul-abror”, “Farhod and Shirin”, “Leyli and Majnun”, “Sab’aisayyor” and scientific considerations about its different interpretations in the works, its specific features are given

“MUHOKAMAT UL-LUG‘ATAYN” – TURKIY XALQLAR LEKSIKASINING SO‘NMAS BULOG‘I

2026-07-11T18:28:15+05:00

This article examines Alisher Navoi's Mukhokamat ul-Lugatain and its contribution to the development of Turkic languages, focusing on a specific nominal lexeme and the linguistic units associated with it. Through this analysis, the article highlights the significance of Navoi's work in shaping the linguistic landscape of Turkic languages and its enduring influence on their evolution

DOHIY ALISHER NAVOIYNING ULUG‘ IZDOSHI (Muhammad Fuzuliy sheiriyatida poetik in’ikos tarzining o‘ziga xosligi)

2026-07-10T11:37:03+05:00

This article examines the distinctive poetic styles of Alisher Navoi and Muhammad Fizuli, two seminal figures in Turkic literature. Alisher Navoi, who assimilated and advanced the greatest achievements of classical Eastern poetry, significantly influenced both Turkish and Persian literary traditions. Among the poets who creatively built upon Navoi’s legacy within Turkic literature, Muhammad Fizuli, the eminent Azerbaijani poet, stands out as a key figure. The literary connection between these two remarkable poets extends beyond isolated similarities in individual works; it is rooted in a shared worldview, their engagement with social realities, and their distinctive approaches to artistic expression. Most notably, Navoi and Fizuli masterfully integrated themes of romantic love with profound social commentary, embedding human suffering and existential dilemmas into their ghazals. Their poetic legacy has shaped the trajectory of Turkic literary tradition, establishing a foundational artistic paradigm that has remained influential for over five centuries.

ALISHER NAVOIY “TANBEH”LARINING G‘OYAVIY-BADIIY XUSUSIYATLARI (“Mahbub ul-qulub” asari misolida)

2026-07-10T12:37:09+05:00

This article examines the literary artistry of the Tanbeh sections within Alisher Navoi’s renowned work, Mahbub ul-Qulub, with a particular focus on their system of imagery. Special attention is given to the thematic exploration of human perfection, spiritual maturity, and the noble qualities that define the poet’s ethical and philosophical worldview. Through an in-depth literary analysis, the study elucidates how Navoi employs artistic expression to convey moral and intellectual ideals, emphasizing the intricate interplay between form and meaning in his portrayal of human virtues

RADIFNING BAYT KOMPOZITSIYАSIDAGI О‘RNI

2026-07-10T16:16:22+05:00

This article examines the construction of a ghazal, where every detail reflects the poet’s artistic vision and serves a specific function within the stanzas and verses. The composition, which maintains a balance between form and content, adheres to a specific system that aligns with the poet’s artistic objectives, thus contributing to the overall artistry of the poem. As such, treatises on poetics place particular emphasis on the laws governing these elements and their practical application. In addition to the importance of rhyme and aruz in poem composition, the role of radif and hajib, which rely on repetition, is equally crucial. The article explores the function of radif in verse composition through the analysis of Alisher Navoi's lyrics.

NAVAI'S POETRY AS REFLECTED IN MINIATURE PAINTIN GS )A study of Illustrated manuscripts preserved in Iranian collections collections(

2026-07-10T19:46:21+05:00

This article examines the influence of Sultan Husayn Bay qara's full support and
Amir Ali Shir Nava'i’s patronage on the development of the royal library, where numerous
prominent artists were gathered to create valuable works. Nava'i's literary works, esteemed for
their high literary value, captivated artists a nd have been reproduced in various regions and
periods. The study explores which stories and themes artists chose to illustrate and investigates
the potential connections between the illustrations and the corresponding verses in Nava'i's
poetry. The findin gs reveal that, in most cases, the illustrations were directly derived from
adjacent verses. However, two manuscripts Fawa'id al Kibar and Hayret al Abrar present
exceptions, as the images were not contemporaneous with the works and were added later,
witho ut a direct correlation to the verses adjacent to the illustrations. The study focuses on seven
illustrated manuscripts preserved in Iran, providing insight into the relationship between visual
art and literary expression. Furthermore, the article highligh ts the significant role Amir Ali Shir
Nava'i played in promoting Turkish literary works, as his own writings contributed to a notable
increase in Turkish literary production.

“MUHOKAMAT UL-LUG‘ATAYN” ASARIDAGI TURKIY FE’LLAR VA OMONIM SO‘ZLAR TAHLILI

2026-07-11T18:51:13+05:00

This article presents a scientific analysis of the linguistic work of the renowned scholar, Alisher Navoi, particularly focusing on his seminal work Muhokamat ul-Lug‘atayn. The study examines its development through both international and Uzbek scholarly publications. The article further explores theoretical perspectives on the analysis of one hundred verbs unique to the Turkic languages, which do not have equivalents in Persian. It provides detailed explanations, including the gradation of some of these verbs, as well as the tuyuk genre, a distinctive feature of Turkic poetry, and the cognate words that contribute to it. Additionally, the study delves into the Turkic words that may give rise to homonymy across multiple positions, specifically the second, third, fourth, fifth, and sixth, offering comprehensive interpretations of these linguistic phenomena

SHARQ ADABIYOTINING YETUK TADQIQOTCHISI

2026-07-10T12:02:21+05:00

Ushbu maqolada XX asr o‘zbek she’riyatining zabardast namoyandasi, akademik G‘afur G‘ulomning «Sharqning buyuk shoiri va mutafakkiri Abdurahmon ibn Ahmad Jomiy» nomli maqolasi tahlilga tortilgan. Shoirning Sharq mumtoz adabiyoti va uning yirik vakillari hayoti va ijodiga bo‘lgan munosabati o‘rganilgan. G‘.G‘ulomning sinchkov tadqiqotchi, manbashunos va matnshunos sifatidagi iqtidor va ulkan ilmiy salohiyati haqida muayyan nazariy umumlashmalar chiqarilgan. Shuningdek, Abdurahmon Jomiy va Alisher Navoiy o‘rtasidagi mustahkam ijodiy hamkorlik, samimiy do‘stlikning ibratli jihatlari misolida xalqlar do‘stligining tarixiy-madaniy ildizlari ko‘rsatilgan

О‘ZARO TA’SIR, IJODIY MUSHTARAKLIK VA О‘ZIGA XOSLIK

2026-07-10T14:42:39+05:00

This article analyzes the artistic representations of the figures of Jami and Navoi in modern Uzbek prose, with a focus on the works Navoi by Oybek, Navoinom by Barat Baykabilov, and Navoi and the Artist Abulkhair by Aman Mukhtar. The study examines how the image of Jami is portrayed within the context of socio-historical realities, cultural life, and the literary landscape, exploring his relationship with the great thinker Hazrat Alisher Navoi as a teacher, friend, and creative collaborator. The article offers theoretical generalizations regarding the historical and cultural significance of their friendship, their mutual influence, and their shared creative community, highlighting the uniqueness of their literary and intellectual bond.

ALISHER NAVOIY G‘AZALLARINING OHANG JILOLARI (Yunus Rajabiy musiqiy merosi misolida)

2026-07-10T16:44:27+05:00

This article examines the melodic and musical nuances found in several ghazals of the eminent poet and thinker Mir Alisher Navoi, utilizing the musical heritage of academician Yunus Rajabi as a case study. Through this analysis, the article explores the intersection of poetry and music, highlighting how Navoi's lyrical compositions align with and influence the musical traditions as exemplified in Rajabi's works. The study provides insights into the fusion of literary and musical artistry, shedding light on the aesthetic and cultural significance of Navoi's ghazals within the broader context of Uzbek musical heritage

PO‘LATJON QAYYUMIY TAZKIRALARIDA ALISHER NAVOIY FAOLIYATINING YORITILISHI

2026-07-11T18:21:08+05:00

This article examines the "Sample Notebook of Uzbek Literature" and "Tazkira-i Kayyumi," which represent the culmination of Polatjon Kayyumi's long-term scientific research. These works are invaluable sources for understanding the history of the Kokand Khanate and the literary environment of Kokand. Additionally, they provide comprehensive insights into nearly all periods of Uzbek classical literature, including both professional and amateur poets active during those times. Alisher Navoi, as a central figure, is accorded special respect in the Tazkira. The article further analyzes the portrayal of Navoi’s life and work within the context of the Tazkira and explores the tazkiranavis' perspectives on his literary contributions

ALISHER NAVOIY IJODIDA MILLIY ETNOSPORT O‘YINLARI

2026-07-11T19:13:41+05:00

This article analyzes the portrayal of national ethnosports in the works of Alisher Navoi. It examines how the poet incorporates traditional Uzbek sports, such as wrestling, national shooting (specifically the gold pumpkin), and equestrian themes, into his literary oeuvre. The study highlights the cultural significance of these activities as depicted in Navoi's writings and explores their symbolic and thematic roles within the broader context of his work